Typeforce #1 hierarchy

Create 5 typographic designs in which you clarify the information through hierarchy/structure: 1. use one font and use different font sizes only 2. use one font and use spacing only 3. use one font and use leading only 4. use one font and use upper and lower cases only 5. use two fonts Size: A4 landscape use no more then 7 x 7 cm centered on this A4 Use the following text (text between brackets can be left out):

Typeforce #2 ZAPF DINGBATS

Create 5 typographic designs in which you clarify the information through hierarchy/structure: 1. use one font and use different font sizes only 2. use one font and use spacing only 3. use one font and use leading only 4. use one font and use upper and lower cases only 5. use two fonts Size: A4 landscape use no more then 7 x 7 cm centered on this A4 Use the following text (text between brackets can be left out):

Typeforce #3 Type design

Design 3 glyphs, chosen from the word: Hamburgevons. This word is used by typedesigners for assessing the design of a typeface. Look for more info on this HERE. Your glyphs should form a consistent family, together with the given lowercase g! Use this Illustrator document for designing your glyphs. Present your designs as one word, together with the given g. Use black for the glyphs, this gives a good focus on the shape itself.

Typeforce #4 Data tables

The design of charts and graphs is a rich and subtle area of typography practice. In a data table the grid acquires semantic significance. Designers (and sofware defaults) often over-emphasize the grid, rather than allowing the data to command the page and stake out its own territory. Re-design the given nineteenth-century data table below. _ Format within A3 (landscape or portrait) Use Adobe Illustrator Colors: free (they should add to the clarity) Type: Helvetica and/or Garamond The author of this experiment studied how ants responded upon meeting either ‘friends’ (members of their own colony) or ‘strangers’. In the first experiment, the friends and strangers were rendered unconsciously with chloroform.
In the second experiment, the ants were merely intoxicated. the chloroformed ants – wether friends or strangers – were usually taken for dead, and pitched into a moat of water surrounding the colony. The intoxicated ants were treated with more discrimination. Many of the drunken friends were taken back to the nest for care and rehabillitation, whereas drunken strangers were generally tossed into the moat. Ants, one might conclude, should not rely on the kindness of strangers. The original design emphasizes vertical divisions at the expense of horizontal ones, and it jumbles together text and numbers within the cells. Our goal: Provide more clarity in order to make it easier to compare data.